The
project Glassworks #1
is an artistic object, a showcase that embodies
the idea of a sublime nature outside our cognitive
limitations and of the wish to embrace it. Thus
the work functions as an oxymoron, the nonsense of
depicting the undepictable. The attempt to embrace
and encompass the world, the nature in all its
greatness and beauty, represents the paradox of
the impossible. The artist with her romantic
gesture thus attempts the alchemistic and
philosophical search for the universal elixir.
Chemical flasks, through which mists and air flow,
allude to the utopian process of the search for
the 'primal matter', the enigmatic substance that
is said to be hiding in all of us as a dark
spirit, a pure core hidden behind chaos and raw
matter. /Urša Vidic/
URŠA
VIDIC
(1978) completed her postgraduate studies of
painting at the Academy of fine arts in Ljubljana
in 2008. Her work is characterized by a devotion
to the theme of a landscape, used to raise
questions of mapping the cultural space from
colonialism to the postindustrial age of
globalization. Especially her latest works are
extremely subjective and portray her mindscapes,
caught in technologically sophisticated showcases
with their own generic system and atmosphere. As a
visual artist, she's most fascinated by the
re-creation of utopian and illusory spaces. She's
produced many individual and group projects in
Slovenia and abroad, while working as a
scenographer as well. She lives and works in
Ljubljana.
Contributors
to the realization of this project: Zoran Srdić Janežič
(planning and execution), Otto
Urpelainen (automatisation) and Kristijan Tkalec
(consultant).